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Royal Scottish Academy Academician’s Silver Medal (Cased)

Primary artist: Paton, Joseph Noel, Sir, RSA · 1821-1901Recipient: Park, Patric, RSA · 1811-1855Die-maker: Wyon, Benjamin · 1802-1858Case-makers: Milne, William and Milne, JamesPrintmaker: Kirkwood and Son, Alexander · b. 1826

Royal Scottish Academy Academician’s Silver Medal (Cased)

On 28 August 1850 at a General Meeting of the Royal Scottish Academy, it was first proposed that there be struck a Presidential Medal. This was to…

On 28 August 1850 at a General Meeting of the Royal Scottish Academy, it was first proposed that there be struck a Presidential Medal. This was to take the form of a medal suspended from a chain to be worn by the President. On 17 January 1853 the Academy sent two drawings (presumably showing the recto and verso faces) to designs by Sir Joseph Noel Paton to the London based Medallist and Dye-Sinker, Benjamin Wyon (1802-58). The 1851 RSA Annual Report (Notice VII) refers to the “protracted indisposition of Mr Noel Paton” which had prevented him from finishing the design for the obverse of the President’s medal and the new Diploma. “Mr Paton has supplied a finished drawing, on a large scale, of the Reverse of the Medal, which has already met the warmest approval of the Council and the Academy; his attention, since his convalescene, has been frequently directed to the remaining drawings, and the Council believe that at an early period they will be enabled to submit them for the inspection of the Academy.” The 1853 RSA Annual Report (Notice VII) continued;’ “The Council have been in frequent correspondence with Mr J Noel Paton RSA who, on the request of the Academy, had consented to give designs for the medal, to be worn as part of the insignia of his office by their President; and they eventually received from that gentleman, on 14th January, his matured designs for the obverse and reverse of this interesting work….” Wyon agreed to undertake to engrave the dies for the medal in a letter to D O Hill dated 25 January 1853. He wrote; “I feel gratified at being embursed by your Council with the execution of Dies from a design possessing so much beauty and originality as Mr Paton has succeeded in producing and which is so admirably adapted for medallion effect, and beg to assure the Council that I shall spare no pains in my endeavour to render the work as perfect as I can make it. I shall require about eight months time to complete the dies and 120 guineas….”

The President’s Medal was received in Edinburgh in time to be tabled at the Council Meeting on 12 March 1855 and Noel Paton thereafter was asked to design the chain and also the pendant by which to suspend the medal (RSA Council Minutes 15 and 27 March 1855). The RSA Annual Report for 1854 (Notice V) however suggests the medal had been received earlier; “The Council have now the pleasure of placing on the table of the Academy, the first impressions in bronze of the President’s Medal…..The Council have thought proper to await the decision of the Academicians, before directing that the copy to be worn by the president be struck in gold….It has been suggested in the Council, that copies of the medal should be struck in bronze or silver for each of the Academicians, their names and date of election being respectively engraved on the reverse….The Academy will also probably agree, that copies should be prepared and presented to those of the Honorary Members whose services they may wish so to recognize; and they will now have the power of marking their sense of the merit of Students, by awarding, with due care and discretion, bronze copies of the medal as leading prizes for merit.” The RSA Annual Report for 1855,(Notice IV) records that the President’s Gold medal was received on the day the foundation stone of the New National Galleries was laid, and (Notice V) that a bronze copy of it with the Keith Prize was to be awarded to Alexander Lauder as the most distinguished student at the last Annual Competition in the Department of the Antique in the School of the Board of Manufactures, and the same to be given to the successful candidate for the Keith prize in 1854, Robert Herdman.

An initial stock of 100 bronze and 40 silver medals was ordered from Wyon in May 1857 and were received by 27 October 1857 and the first had been engraved by Kirkwood by 11 December that same year.

Wyon’s original steel dies, the property of the Academy, are with Alex Kirkwood & Son, who succeeded Wyon as the medallist used by the Academy for making its various medals. They are protected from splitting by the addition of an outer collar and are preserved from rust by a layer of fine grease. The metal is annealed before being placed in the die-press and it can take several visits to the press to ensure that all the detail has come up satisfactorily. The medals are washed, dried, polished, given a light lacquer and then subjected to a final turn in the press.

The cases for the medals were originally made and supplied by W & J Milne, Stationers, 33 Hanover Street, Edinburgh, who agreed to make the boxes as per Noel Paton’s proposals; viz maroon morocco 4 ¾ inches (for bronze medals) and ditto rose morocco (for silver medals) all lined with the richest blue silk velvet at 8/- per case, to be blocked in gold (to Noel Paton’s design) at extra cost and the recipient’s name to be added at 6d per case.(letter W & J Milne to D O Hill, 29 May 1857) The initial batch of 60 (bronze) and 30 (silver) cases were delivered to the RSA on 22 December 1857.

The Associate’s medal was awarded by the Academy from 1857 until the Second World War. It was revived again in 1974 and from that date until the abolition of the Associate rank in 2005 Associates desiring a medal were asked to pay for it. (vide RSA Annual Report, 1974, Notice XVII “The presentation of medals to members on the occasion of their election – silver for Academicians, bronze for Associates – ceased when stocks were exhausted following the outbreak of war in 1939. The pleasing tradition of our members – and those that come after them – being able to possess these replicas of Noel Paton’s design of the Gold Presidential badge has been reintroduced, the circumstances of our times making it necessary for this to be against payment.”).

The hallmarking of the Academician’s silver medals commenced only in the late 20th Century.

A miniature version of the medals was also made by Alex Kirkwood & Son (vide 2015.104) hung on a short silk ribbon (known both in blue and in maroon) and with a hinged clasp with legend RSA in raised lettering attached to the top edge of the ribbon. Kirkwood own the four dies for this (medal obverse and reverse, and clasp bar for each of RSA and ARSA). These dies are stamped Kirkwood and dated 1934.

In addiiton to making the original steel dies for the obverse and reverse of this medal, Wyon also struck the first 40 silver and 100 bronze medals in 1857

since Wyon's death in 1858 the dies for this medal have been deposited with Alexander Kirkwood & Son, Edinburgh who from time to time have struck new copies as earlier stocks have been used

since the introduction of the medal in 1857 all the engraving of the recipient's details has been conducted by Alexander Kirkwood & Son

The cases for the medals were originally made and supplied by W & J Milne, Stationers, 33 Hanover Street, Edinburgh, who agreed to make the boxes as per Noel Paton’s proposals; viz maroon morocco 4 ¾ inches (for bronze medals) and ditto rose morocco (for silver medals) all lined with the richest blue silk velvet at 8/- per case, to be blocked in gold (to Noel Paton’s design) at extra cost and the recipient’s name to be added at 6d per case.(letter W & J Milne to D O Hill, 29 May 1857) The initial batch of 60 (bronze) and 30 (silver) cases were delivered to the RSA on 22 December 1857.

The recipient of the medal was elected an Academician in 1851. He had previously been elected an Associate of the Royal Scottish Academy (ARSA) in 1849.

Park’s election as an Associate is not recorded in the RSA Annual Report for 1849. At a meeting of the General Assembly on 1849-11-14, after the initial votes had been cast, Thomas Faed polled 15, Park 12 and John Glass 10. The Minutes of that meeting record; “A ballot was taken between Mr Faed and Mr Park where 9 voted for Mr Faed and 3 for Mr Park and that Mr Thomas Faed was declared duly elected an Associate of the Academy. A ballot was then taken between Mr Park and Mr Glass when 10 voted for Mr Park and 2 for Mr Glass and that Mr Patric Park was declared duly elected an Associate of the Academy.”

Park’s election to the rank of Academician is recorded in the RSA Annual Report for 1851, Notice VIII; “The Academy on the 10th [sic] February last, elected to the rank of Academicians, Mr John Faed and Mr Patric Park, to supply the vacancies on the roll occasioned by the lamented decease of Sir William Allan and Mr David Scott.”

At the General Assembly on 1851-02-12, after the initial votes had been counted Patric Park and John Faed both polled 10 votes each and James Drummond 7. The Minutes of that meeting then record; “A Ballot was then held between Mr Park and [sic] Faed where 9 were found to have voted for Mr Faed and 6 for Mr Park. Mr John Faed was accordingly declared duly elected an Academician of the Royal Scottish Academy. A ballot was then taken between Mr Park and Mr Drummond when 19 were found to have voted for Mr Park and 6 for Mr Drummond. Mr Patrick [sic] Park was accordingly duly declared elected an Academician of the Royal Scottish Academy.”

Ironically, Park was out voted in the first ballot of his election as both ARSA and RSA by a member of the Faed family.

Park died before the medals were finished ; his obituary notice appearing in the RSA Annual Report for 1855, Notice XI; “A vacancy has occurred in the list of Academicians by the premature and lamented death of their highly talented brother Academician, Patric Park Esq., Sculptor, an event which occurred suddenty at Warrington, on the 16th August last. Mr Park had, at the time of his decease, only attained the age of forty-four years, and being an enthusiastic student and lover of his profession, his works, especially his Portrait Busts – long distinguished by some of the highest qualities of his noble art, seemed every succeeding year to gain in strength and refinement, so that, had life been spared, many works of still higher excellence might have been looked for from his prolific studio. The Academy Exhibitions, for a long series of years past, and none of them more strikingly than that of 1855, when his fine Bust of the Emperor of the French occupied a place of honour, sufficiently attest the justice of this brief eulogium of the Council, and justify their sorrow, that in the death of Patric Park, the Academy has lost one of its most talented members, and the Department of Sculpture, in which he more peculiarly excelled, one of its most eminent professors.”

The MS entry bound into the Annual Report records; “Patric Park RSA was born in Glasgow in 1809 and died in Manchester on 16 August 1855. In the earlier part of his career he studied in Italy. His busts, in general, are remarkable for expressing great energy and for embodying a feelling of great tenderness.”

This is one of the first batch of medals issued in late 1857/ early 1858 and was issued posthumously.

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